Filmreif go out!
For dinner with friends
1950s -styling like Audrey Hepburn (for example, 1957: "A sweet Fratz")
MAKE UP: For the fresh Hepburn look is best made a slightly covering primer (eg "Color Clone" Helena Rubinstein), the T-zone is transparent powdered. The colors remain in natural shades: give some apricot rouge (eg "Touche Blush 4" by Yves Saint Laurent) directly on the cheeks, emphasize the mouth with lipstick in dark peach (eg "Rouge Dior 446" from Dior). Apply brown eyeshadow (eg "Play On 605" by Biotherm) to the lower eyelid as well as the upper part of the eyelid and the eyelid fold. The eyebrows can be emphasized more strongly, that is typical Fifties - important only that they are painted exactly. For almond eyes, apply black kohl pencil (eg "No. 11" from Manhattan) up to the middle of the upper edge of the eyelid and fold gently with a cotton swab, lashes only at the top.
HAIR: Only point aside the side of the crest, comb back hair from there and tie it to the ponytail. Pick out the pony whistles, spray some hairspray on your fingers and straighten strands with them. 3 '50s styling like Audrey Hepburn (eg 1957: "A Sweet Fratz")
For glamorous parties
40s styling like Marlene Dietrich (eg 1948: "A foreign affair")
MAKE UP: After the translucent primer (eg "Indefectible" by L'Oréal Paris) spread the brown-red rouge (eg "Blush Variation 15" by Yves Saint Laurent) along the entire cheekbone and dust (eg "Sheer Finish Powder Loose Pale Yellow "by Bobbi Brown), brewing with brow powder (eg" Eye & Brow Prisme "by Givenchy). Apply the champagne colored eye shadow up to the eyebrows (eg "Wanted Eyes 22" by Helena Rubinstein), brush a matt earth tone in the eyelid crease and pull it outside over the eyelid (eg "Earthen" from Aveda) - the Gives the view the depth of the film diva. Draw a black eyeshadow frame on the lower edge of the eyelid (leave the corner of the eye open), draw an eyelid line with a liquid eyeliner on the eyelid (eyeshadow eg "Black 50" from Manhattan, eyeliner eg from Dr. Hauschka). The lashes with extending mascara showers (eg "3 Style" by Astor) - it gets glamorous with artificial eyelashes (eg "feather light" by Kron 1959). Red lipstick goes best with the 40s look ("Russian Red" by Mac), the nails shimmer in black and red (eg "Le Vernis Rouge Noir 18" by Chanel).
HAIR: Spray volume spray into the hair (eg "2-day volume hair dryer spray" from Wellaflex). First a wide forehead strand, then roll the remaining hair on large winder, get started. Remove after 30 minutes, comb. Take the hair back to the banana, fasten with hair clips. Lay sides and pony whiskers to waves, pin. The hair jewelry? A velvet hairband, decorated with tulle.
In the nightclub on the promenade
70s styling like Romy Schneider (eg 1971: "The Girl and the Commissioner")
MAKE UP: In order to convey the enigmatic star appeal of Romy Schneider, the cream foundation can cover well and make a flawless complexion (eg "Double Wear" by Estée Lauder). Sand-colored rouge (eg "Blush Almond" by Bobbi Brown) is modeled - placing the focus on the outer facial area. The brows are emphasized with colored brow gel (eg "Speed Brow" by Benefit); Conveniently, most of these gels have a brush applicator that will immediately energize the hairs. Lipstick in chocolate brown shines on the mouth (eg "Soft Touch Lip Pen 37" by Korres). For the eyes, the dark brown eyeshadow on the entire upper eyelid is brushed to the brow and, for a melancholy touch, even goes a bit towards the root of the nose. But most of the color gets the outer corner of the eye and the eyelid crease. The eyelashes then only heavily black top shower, down the eyes are dark brown accentuated with eyeshadow (eg "Savanna 08" by Nivea Beauté) - while giving the most color to the outer corner of the eye.
HAIR: Lightly moisten the hair and twist single strands with curling scissors. Once the hair has cooled, gently comb through it. Then rub a coin-sized amount of gel (eg "Evocative Sensual Flip" by Sebastian, at the hairdresser) in the palms of your hands and sculpt the curls in slow motion. This is how the silky flowing waves are created.
Cool look for long nights
90s styling like Uma Thurman (eg 1994: "Pulp Fiction")
MAKE UP: Pale skin, blood red lips - for the Snow White look of the "Pulp Fiction" years comes a long-lasting porcelain-colored primer used (eg."Teint Singulier 02" by Yves Saint Laurent), powder pink in pink (eg "Divinora Blush No. 285" by Guerlain) is only painted on the outer third of the cheekbones. If the mouth is strongly emphasized, such as with blood-red lipstick (eg "Rouge Absolu No. 172" by Lancôme), the brows should get more color - like eccentric, like here with a kohl bow (eg "Deep Brown "by Shiseido). For this eye make-up, first fill the upper lid with iridescent rosé. In contrast, eye shadow in black-brown (rosé and tan, eg in "Les 4 Ombres 27" by Chanel) should only extend beyond the inner corner of the eye along the outer lid along the eyelid crease, gently fade down close to the lash line. Just lash eyelashes up. Perfect is the look with nail polish in Chinese red (eg "Deep Red 160" by Sans Soucis).
HAIR: Christina Gehlen wears a black wig here (eg from Bergmann, there's a wig shop), brought to shine with some pomade (eg "Style & Shine Jelly" by Douglas). If you want to style your own pageboy head: knead in glossy foam (eg "Asia Beauty Hairbands" by Gliss Kur), blow dry on a wide brush (eg "Travel New Classic Brush" by Marlies Möller) and fly hair with little pomade smooth out.
The date at the blue hour
80s styling like Sylvia Kristel (eg 1984: "Emmanuelle 4")
MAKE UP: The skin gets a seductively subtle shimmer through light-reflecting pigments in the primer (eg "Energy Flash" by Nivea Beauté). Instead of Rouge, bronze powder (eg "La Poudre Soleil Forever Summer" by Clarins) is generously distributed on the cheeks and temples - after all, the 1980s were the decade of turbo tanning. Incidentally, this decade also includes the high-time of framed eyes, most of all of course with a blue kohl (eg "Smoothblue" by Mac): before the upper eyelids up to the eyebrows with a transparent golden eye shadow (eg " 221 "by Artdeco) and then lash the eyelashes black (eg" Maestro "by Giorgio Armani). For this delicate look, just brush your brows and put your lips in the spotlight with pink shimmering lip gloss (eg "Star Fuchsia 10" by Helena Rubinstein). On the nails the blue-green lacquer shines with the 80's look (eg "No. 831" by Alessandro).
HAIR: Moisten the damp hair with a curler spray (eg "Wave Spray" by Frédéric Fekkai, at the hairdresser's). Pull a side parting, turn the hair in fine strands on Papilloten - the finer the strands and the more Papilloten, the better and curlier it gets. So that the Kringel get great bounce, turn each strand before turning it in or zwirbeln. After drying, pull the curls apart with your fingers and pluck. Just brush the base smoothly and put one side back up tight.
First cinema, then cocktail
Current styling like Anne Hathaway (eg 2006: "The devil wears Prada")
MAKE UP: First apply a so-called "primer" (eg "Base Magic" from Biotherm), which makes the skin look ethereally fine. Also, with this colorless fluid, you can spread the primer more easily later, and it keeps you feeling better. Then use a tinted day cream instead of Foundation (eg "Lumineuse" by Vichy). To do this, douse a touch of rouge in light rosewood on the cheeks (eg "No. 25" by Artdeco) and choose a lipstick in brown rose (eg "Soft Sensation Double Excellence 002" by Astor) - all unobtrusive make-up up-tones, which pretty much every second New York fashion editor has in her make-up bag. The eyes are naturally emphasized: some eyeshadow in ivory on the upper eyelid, (eg "Respectissime Opale 03" by La Roche-Posay), below a delicate eyeline with nougat brown eyeshadow (eg "Ombre Solo 4" by Yves Saint Laurent), the eyelashes discreetly and only with black mascara top (eg "Star Stylist" by Jade Maybelline). The brows? They are exactly traced with brewing powder (eg "BL 2 Deep Brown" by Shiseido).
HAIR: Spread the smoothing lotion in damp hair (eg "Hang Straight Straightening Lotion" by Aveda) and blow dry over a wide brush. Always from the beginning to the tips, that closes the cuticle layer and gives extra shine. Finally, apply a little water repellent hair spray over the hairstyle, which protects the smooth strands a bit against moisture and associated hair ripples (eg, "umbrella" hair spray by John Frieda).
Couple in the classic matinee
60s styling like Catherine Deneuve (eg 1967: "Belle de Jour - Beauty of the day")
MAKE UP: The slightly covering primer (eg "magic mat" by Lancôme) mattifies, which saves the powder and brings more naturalness into play. Beautifully frosty, the rouge appears in bright pink (eg "Wachgekuss 01" by Kron), it is gossamer, but painted to the temples. For sixties eyes, frame the top and bottom of the eyelids with black eyeshadow (eg Astor's "True Black") and lash the eyelashes with volume mascara (eg "Diorshow Unlimited 090" by Dior). The lip gloss tone is also authentic: a discreet coral (eg "Color Fever Gloss 100" by Lancôme).
HAIR: Volume foam (eg"Studio Line Volum 'Max" by L'Oréal Paris) into towel-dried hair, roll on large curlers. With shoulder-length hair you need about six large winder. After drying, comb only slightly. Then divide a wide forehead, plump under the top of hair, comb back to the rear and at the back of the head with a simple jewelry clasp stuck. Some glossy hairspray (eg "Got 2 B Glanzstück" by Schwarzkopf) fixes the movie star hairstyle. 60s styling like Catherine Deneuve (eg 1967: "Belle de Jour - Beauty of the day")
Johanna Christine Gehlen The 36-year-old actress is mainly known from TV series such as "Police Call", "Crime Scene" or "A Case for Two". She has also starred in many television films ("The Lovers of Alexanderplatz", "The Sky in Your Eyes", "Mom and the Millionaire"). The socially committed citizen of Hamburg - she is a Unicef representative and privately supports an Indian orphanage - often styles herself like Anne Hathaway, "straight hair, natural look". However, she was most impressed by the 80s styling: "A magical transformation into a very feminine, very unapproachable, yet sensual woman, and mainly through hair styling, which fascinated me," she says. Johanna C. Gehlen would even take over the blue kohl frame from "Emmanuelle": "On special occasions, for example on New Year's Eve."
